Patty Seyburn
Doris the Goddess
bore 50 nereids
and did not complain,
rode a hippocamp in Poseidon’s wedding cortege,
was not very important,
ruled over everywhere fresh water met brine—
a very good place to fish,
child of two Titans with 21 siblings
(or nearly 3000, depending on source)
some of whom you’ve heard of,
some not. Some gain notoriety
beyond their ken—
Iris, goddess of rainbows,
her mother Electra, lovely and invisible
until Sophocles, Euripides, Aeschylus,
Eugene O’Neill and, of course, Jung,
who made her a famous complex.
This is before the Olympians—all
celebrities, charmed by the idea
of a species like them, yet not,
made in their image, yet not empowered—
and here we are, admiring
their sculptures in a hoary museum,
or their imitations in a courtyard
with a water feature,
marble eyes containing
leftover Promethean fire.
He told Zeus: they will outlast us.
Hail, Doris! You are more or less
unrepresented, your sobriquet
an alloy of gift and purity.
Myself, I have known
your namesake, an amanuensis
(fancy secretary) who knew
everything, ran everything—Virgil
of the bureaucracy, a kindly Charon
of the dark waters between frustration
and clarity—and she was
strange and kind as a goddess
with a rare lack of desire for power
might be.
About the Author | Second in Poetry | Linda Purdy Memorial Prize
Patty Seyburn has published five books of poems: Threshold Delivery (Finishing Line Press, 2019); Perfecta (What Books Press, 2014); Hilarity (New Issues Press, 2009), Mechanical Cluster (Ohio State University Press, 2002) and Diasporadic (Helicon Nine Editions, 1998). She is a professor at California State University, Long Beach.